Street Corner Game changer; the brown paper bag

The poor mans lounge

So the seemingly innocent intersection of roads and footpaths has become so imbedded in our subconscious that we hardly recognize its importance, and yet the phrase ‘meet you at the corner’ is part of our everyday life. So why?

  • It’s a node
  • More options of escape, fight or flight
  • A prairie view

That’s the text-book view, but it’s so much more than that.

So to understand the culture of the street corner in a housing district that is designed around the grid street system ( think squares ), a social document should be viewed, understood and lessons learnt from said study.

An easily understood document is a TV series from the early 2000’s called the ‘The Wire’, considered by the local community, police, politicians, educators and press to be an accurate portrayal of the Baltimore area 1995-Present.

Written by a former crime reporter of the Baltimore Sun, David Simon and Ed Burns, a Senior Detective. They collaborated on a book ” The Corner: A Year In The Life Of  An Inner City Neighborhood” This was written from a street perspective and eventually was used as a base for The Wire.

So you have the corner shop and corners occupied by the drug dealers. The series goes through the turf wars between the dealers, the police trying to rid the corners of the gangs ( think; futile), the politicians trying bury/solve the problems to thier advantage within 5 year terms, the education system trying to give the children a way out, all in the confines of a post industriual town with middle class flight. The series is about all the consequences of little or no investment into new industry, of fire fighting rather than getting to the root cause, and ultimatly letting it fend for its self.

“The recent History of Baltimore is the same all over the post industrial world where the old heavy, labour intensive industries move out or are mechanized, leaving a local population with a lost identity of work and place.”

Think of the Royal Docks in the east end of London, once the container shipping  moved in at Tilbury, the boom of the London docks died over night, leaving disenfranchisement, no identity of place that had a sense of pride, no industry leading to high unemployment and eventually no hope.

A void remained to be filled, and with the local politicians with a small government agenda this will not stop the natural hard-working resourcefulness of people, it’s just that the easiest way with highest profit is at present drugs for the resourceful and for some, who lose hope, it can become a form of escape from the harsh relativity of day-to-day living. So the ‘Supply and Demand’, pure Smithsonian Market forces that the neoliberals propagate as the capitalist utopia with the invisible hand of self-regulation, will, left to its own devices bring us to a place where every man helps his brother for the good of the market. Experience tells us this is not so, short-term markets post big bang* will not allow this, the god of self-interest*, our irrational inner chimp*, fear* and greed all add up to the distopia that is Balitmore.

“And the corner is where it would be played out in this Drama”

 

So the how does the humble brown paper bag relate to all this?

the-lesson-of-the-brown-paper-bag

Below is an interpretation of a scene from the episode where this all comes to a head, leading to the parable.

SPOILER ALERT

Paper Bag Monologue from the Wire (Kinetic Typography) from Hydraulic Pictures on Vimeo.

Obviously this is not the answer, but the point of the exercise is to look around you, take stock and think. The rational rather than the reactive*is needed to understand the cause and effect of a small change mixed with compromise can offer a solution, and get the thinking to a more Lateral position, asking different questions and exploring the consequences of long and short-term interventions.

“So the street corner where people, stop, meet and feel comfortable, it’s a place of high value.”

If a place has high unemployment, no hope then it can become a place of conflict, but it’s still a place, good or bad.

Ultimately people need money and at present that comes through gainful employment, so no matter how many beautiful parks, housing developments we build, if people don’t feel valued in themselves, then that will show on the outside. No work, then other high profit means will appear. Gentrification may push the problem elsewhere under the carpet, but you will eventually trip over it and fall flat on your face, i.e. Baltimore, Trump, Brexit etc.

This is what a Rowndtree commission conclusion was on Regeneration, but more of that for a later post.*

* Later posts for more explanation

Lessons from a Dystopian landscape



A future landscape?

A fantastic video of a future reality set within the confines of a virtual world within a dystopian landscape. A good lesson in cause and effect

//player.vimeo.com/video/25678978


A thought process

Learning from our past

A thought that keeps coming to mind is that the study of a dystopian landscape is possibly more important than a proposed utopian dream scape, as virtually all the designs where originally designed with utopian ideals, (political, social, economic etc), but now often regarded as dystopian, often mis-judged (by present day judgement) and ugly. Some mistakes where made through focussing on one area i.e. large scale plan, and forgetting human scale/perspective, modernism to a tee. So who is to say we are not mis-judged? Looking at perceived failures with a narrow ascetic value of fashion for example, thus a lot of perspectives need to be taken into consideration with the avoidance of presumption of present day wisdom over the dreams of the birth of the idea. Also not taking into account changes that created a conflict along the time line from conception to the present moment of judgement to what may seem’s a ruined space. So the question is what has changed? Often we are too quick to write a off a space without fully understanding its long term aim. Thats not saying mistakes have not been made, but not to make the same mistake again due to a poorly thought out process only taking in present day fashions into consideration.
 
People

It will always come back to adoption of space by the people who live in the area. Why should anybody want to live here? At its base level what will me and my family gain? What is the core of any community? On questioning some residents on The Isle Dogs, London (now re-developed, but issues of the local working class having no relevant jobs to their skill set or if there is any work then the jobs are often with no prospects of promotion or further training ( or self employed under the tax radar thus trapped). It became clear that gentrification had pushed out the old community of seeing the place as home leaving them with no identity and thus no sense of place leading to non engagement, which eventually leads to the ‘I have nothing to loose attitude’ were the rot of crime and vandalism eats into the core of the community. So all might look rosy, but get below the skin. 
North Woolwich has the same problems though yet to be developed. The loss of the Docks caused a complete loss of identity to the community. Any sense of ‘pride of place’ is gone. If you have no job, hope of employment or low skilled with no future training, then the most beautiful park is not going to lift the spirits of a down beaten soul. If you want to understand more listen to ‘The Message’ by ‘Grand Masterflash and the Furious 5;


http://www.youtube.com/watch?v=O4o8TeqKhgY



When a couple of life long residents were asked if they could have anything as part of a redevelopment what would it be, as quick as a flash, work, not just any work, but skilled work with training to bring back a pride in the individual and provide prospects and thus investment of the individual back into the area. So Work has to be at the core, as a means not only earn a living from the landscape, but create an identity of place to the resident, wanting to stay and raise a family and invest emotionally to the place. Then a park that is beautiful to the designer/visitor will have so much more meaning and beauty to the residents, whatever the income. Hope and prospects are an empty politicians promise unless there is a long term plan to deliver. So the Joseph Rowntree  commission report sums up various European dockside redevelopments which we can learn from;
 
 
Without a doubt a must read document for all who want to bring prosperity and ‘the of spirit of place’ to a space, so all who reside have a future of substance and prospect.
 
Framework
 
Framework rather than strict rules so adaption can occur as employment styles change, technology, community that adopts the as the space changes, global warming, political change, transport change (battery boosted bicycles), source energy (i.e. Fusion, when this comes on line it will be a World changer, squeezing two forms of Hydrogen atoms (heavy and heavy heavy) together to produce Helium plus a proton and energy (1 gallon of water= 300 gallons of petrol), even though some web sites say there is no waste product this is not entirely true as a radioactive product is produced, but through reprocessing it can be used to re-fuel and have a short half life (30 years instead of 24,000 years this is what happens in present re-processing plants for Fission waste) and less obvious types of employment moving into areo-space, heavy industry (which may comeback to theses shores as other countries become less competitive) Art, etc. 
 
Garden Design and Landscape Architecture
 
So what has the above got to do with our industry, well we no longer live a bubble as an industry. Design crosses platforms and inspiration can come from anywhere. So as the term ‘Garden Cities’ have come back into vogue (though I suspect those who use don’t understand the history of the movement) this is not just the property of Architects and town planners or even Landscape Architects/Garden Designers, but of designers who have a passion for people and the built landscape that they live in. 
 
Anyway you get my train of thought, we can’t entirely future proof our spaces, but we can leave room for future development that will always occur, ‘as this is our nature’. The beauty of humanity is its messiness as well as its order, both have a place and should be celebrated, so decay as well as pristine should be built in/admired…… At what point does decay turn from an eyesore to nostalgic ruins? Or any style come to think of it. Two Generations? I like modernists buildings from the 1930-50’s ( I was born in 1964) especially underground stations/Tunbridge wells main Civic Centre, I really dislike the Pastiche post modern buildings of the 80-90’s, not one thing or another, both were designed with the best of intentions, so a generational view can have an effect and which generation is in the driving seat. 

 ‘The Sprit of 45’  

Worth seeing the whole film to understand why Labour got in with such a land slide and 180 degree opposite plan to the previous generations and why Margret Thatcher turned it back again.
What next? We are still suffering from the big bang and all the consequences of short termism, the breaking up of unions (divide and rule), selling off of Natural Monopolies under the guise of competition. Capitalism has a hold, know one actually believes there is an alternative, but all the time the Press Barons hold the keys to our politicians it will be hard to unite, lets hope we don’t need war to unite us or extreme poverty, what ever happens it will be bottom up as it was in 1945.

http://www.youtube.com/watch?v=_c86Gwsb5LY  



 
 
 
 
 

Images of seduction?

Opener

So the brochure we all have to put some text and images in a limited space.
Therefore trying to create an eye catching effect, plus some kind of narrative.

Header image
The err…shot as Robert would say. Had this image for a while, love Banksy.   
Had to a bit of work to do as the girl and balloon were facing the wrong way. Lighten wall shadow, darken footpath shadow. Drawing blended on the wall with a couple of layers to get the colour effect. Grass (a bit naff, time etc). Light, light and light to get that grundge and dreamy contrast.
Overall pleased, more work on the grass and the image was cropped for the brochure as more of a letterbox view which works better.

Original

Update, letterbox view, grass

Secondary images
Three images each with a different message and mood.

Dock side 
A mix of three images, two beautiful women (with freckles, is it warm in here), its the eyes….
A bold sunset and a hand drawn image, rendered/PShopped by yours truly.
The idea was to join people and not necassarlly men to the dock side as its also a public place. Viewing the river and looking at the working dockside from the upper deck 
A normal British day.
I wanted to show that the river side walk is a part of the greenway system of NW, thus used in an ordinary way, caught in a shower, the rest of the narrative is for the viewer to decide, being chased or owner? Long flowering meadow grass, resin bonded on bitmac, so easy for curves etc. Practical more than decorative. Let the planting do the work.

A chilly visit to the Aquarium
Footbridge designed with desire lines in mind, so its function over form (a modernist at heart). So whats the story? You decide.

Masterplan

Almost There


Like all struggling with the beast, that is master planning. I keep thinking about the quote from James Corner that master planning can sometimes lead to an alienation of the site, as in reality the site will be used and seen from a human eye line perspective. So I have constantly tried to visualise each area, creating visual references along routes, nodes, Fused Grid theory etc. So it may look a bit jumbled  (ie not that pretty) from a plan view (and to be honest only Gulls and Crows will have that pleasure), but hopefully the journeys through the greenways to destinations, whether as a visitor or resident, will act as an encouragement to leave the Car at home ( along with the fused Grid idea of the Car route is less convenient than walking).


Visuals


Once annotated, I get on with the many (eye level) visuals that will be needed to explain the flow, beauty and hope that I would like to bring to North Woolwich.



Not entirely finished, annotation and composition etc.



Construction Drawings 
Spot Heights
Tree Planting Scheme (but not schedule)
Drainage on Elevated sections
Hard works and Index